Contributors
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Stefan Aronsen
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Olivia Parriott & Mike G, ColleaguesWiretapmusic.com Wiretap Music is the closest thing to a SF Intercom’s precursor in existence. In developing SF Intercom, a strong working relationship grew between SF Intercom and Wiretap, which has evolved into an official partnership. Wiretap provides fans with interviews with bands, videos of performances, and reviews of new releases. The videos are more refined and edited than the footage found anywhere else. Wiretap also hosts shows and splits profits with the musicians, and local organizations, directly helping the local indie music scene. By partnering with Wiretap, SF Intercom’s resources can be used to specifically help the bands, while Wiretap focuses on the fans. |
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Zen Zenith, Senior Designer & Editor
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Jeff Watkins, Contributing Writersf-inter.com & BUZZ: a survival guide for bands Studied Music Industry at both USC and down the street from Nashville’s Music Row at Belmont University, his knowledge of the industry over floweth. Worked on lighting crews for shows featuring Rufus Wainwright, John Williams and Ozomatli. Most proud of getting coffee for music execs at 20th Century Fox, grabbing Diet Coke for execs at Sony Music, and picking up Jack-in-the-Box for Seattle’s Origin Records crew. |
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Stephanie “REGS” Trapp, Photographersf-inter.com & BUZZ: a survival guide for bands There’s an intimate power in small spaces. “Regs” trains her street-savvy eye on the ubiquitous and shrinks it, making it personal. She is responsible for the Dead Tweet photos throughout Buzz Magazine. She spends her time working on her own photography, photo assignments for SF Station, and taking in as much local indie music as possible. Babysitting provides a positive and lively balance to her typical photographic material. |
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Jacob Rubin-Hennessey, Contributing Writersf-inter.com & BUZZ: a survival guide for bands There’s something profound in that first friendship in a new city. Hennessey-Rubin has remained a constructive, insightful ally to Aronsen and SF Intercom even as his personal focus has shifted from graphic to industrial design. Acting as a personal curator of over 200 blogs, Hennessy-Rubin kept Aronsen’s own finger firmly planted on the indie music pulse. |
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Ian Tuttle, Contributing Writersf-inter.com & BUZZ: a survival guide for bands Tuttle moved into SF Intercom’s offices as a writer among graphic artists. His multiple projects span from a novel-in-progress to a weekly short-fiction blog. Tuttle contributed his talents as a copywriter to many stages of SF Intercom’s growth, drafting business plans, venue summaries, and bios. He brought insight and clear vision to the dispersed cloud of possibilities of Buzz Magazine’ mid-life crisis stage. |
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Ian Stahl, Contributing Writersf-inter.com & BUZZ: a survival guide for bands I boss around swedes, write detailed charts in sibelius that no one reads, and play guitar. I think everything we do is in stereo (seriously). |
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Brandileigha, Contributing Writersf-inter.com & BUZZ: a survival guide for bands Opinionated and bold, Stracner takes advantage of her job as an intern at Live 105 to attend and critique as many local shows as she can handle, which is just about all of them. Stracner looks for a personal connection between band and fans, and her interviews, writing, and professional connections built solid relationships among many indie bands and Buzz Magazine. |
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Amy Scandurra, Music Enthusiastsf-inter.com & BUZZ: a survival guide for bands Scandurra’s soft-spoken mild manner belies her inner rockstar. When she’s not too busy dancing with explosive exuberance at local, live shows, Scandurra contributes commentary and photography to SF Intercom. Her passion for, and deep knowledge of, indie music make her a go-to guru for friends and fans alike. |
